Electric Guitar Squeak
Collection annoying sound during recording?
Every time I record my electric guitar distorted by the microphone, keep the grating small noise my pick hitting the strings when the principle. Is there a way to get rid of this (I have never heard in the music business)? It is my profit on my distortion too high or something? Thanks
He wondered did a very good answer to this question, and I add some things that may help. Although EQ comes to mind immediately, you do not say what type of microphone you use, which record, or the room environment. Sub par pickups will resume more nuances of tone that this guitar is the good qualities of it. You say you did not hear recorded the guitar, not the natural tone of it? Eq Perhaps if this is so that the world record is one heck of a lot different from the live sound world. I use a Shure SM 57 for recording guitar, and a live broadcast of the stage, and I recorded in a beautiful "dead" room. A large number of acoustic treatment, with no natural reverb or echo chamber. It also makes a world of difference in reporting. You mention profit, and yes, in combination with the equation error, below normal microphones, mic placement and poor this could be a contributing factor. But ... much as the races .... Derek Trucks Band listen. Do not know if your familiar with him ... hes a slide guitar blues, and some I have heard recordings of it, you can hear every squeak and squeal made by the blade. He is a player of his finger, and plays almost flamenco style, so that selection is not a factor contributing to this sound. As for the placement of micro leaves, 6-inch rule only works in a recording environment perfect volume, and very high. If the Board does not record many carpets and curtains to muffle the noise, move the microphone about 1 / 2 inches from the network of the amplifier, and turn down. Returns gain entry to the track you're recording, but you may get a better sound. It bounces around a bad room acoustics, especially if you record at high volume. If your power, go to a moving company and buy packing blankets. It's about an investment of $ 20 for one. (That's if the room is very live) Upload the amplifier, throw a blanket over the microphone and amplifier. No noise, and is an excellent alternative to a voting booth to the amplifier. In addition, if possible, record a stereo track of the guitar, microphone and direct from a di or line amplifier, or ... from the pedal chain. By recording two tracks can be mixed in the mix to get the best of both worlds. In addition, other instruments recorded guitar, and if so, how it sounds below. My sound to play live on bass is totally different than the low register. I do not use an active low for the recording, usually it is a Fender Jazz 4 or 5 strings for most projects, two microphones available for the sharp tone at the most. However, when performing live, I prefer a bass with active electronics, and more often its lower end, as im in a song 3. So .... Overall experience as there are certain rules to follow when recording, which ends up sounding good is the rule that should be used to record its environment. Sometimes there are no rules is the best way to go! By the way .. you do not record extremely high volumes for a great guitar sound. Listen to the original recording of Layla by Eric Clapton. His guitar was recorded using five-tube amplifier WATT. Whatever your out of this little amp! I hope this has helped, and good luck.
PIG SQUEAL!!!
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