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Easy to Learn Melodic Minor Scales Guitar Lesson for Jazz – Rock – Fusion – 3 Notes Per String

www.GuitarLessons365.com Please Rate, Comment, Favorite and Subscribe to help this lesson get more views. Thanks!! Carl.. In this lesson you will learn all seven of the melodic minor scale forms using the 3-notes per string method. Melodic minor is an essential scale type to know for every style of music but is most predominantly used in jazz and fusion styles. Even if you are not jazz guitarist you should still leaern this scale and it's corresponding modes to open up a hwole new world of sounds that you can create in your improvisations. Rock players such a Steve Vai, Joe Satriani, Yngwie Malmsteen and Randy Rhoads use this scale frequently. Along with Jazz guitarist such as Pat Metheny, Pat Martino and many others. A FREE PDF TAB download for the material covered in this video lesson is available from the main site at http . While you are at the site, check out the TONS of FREE HD video guitar lessons for players of all levels and styles. Hope to see you in the forums as well!! Lesson Taught By: Carl Brown

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16 Responses to “Easy to Learn Melodic Minor Scales Guitar Lesson for Jazz – Rock – Fusion – 3 Notes Per String”

  1. TheStyrofoamPeanut says:

    another great video

  2. Topdoginuk says:

    Another great accurate lesson Carl. I don’t know how you do it. You must spend a huge amount of time practising this skill before recording it. Well done.
    People, I try to teach Guitar and, I can tell you now, this guy is one of the best on the internet. Please consider paying for a subscription to Carls site because he has some fantastic song lessons there at guitarlessons365 com

  3. GuitarLessons365 says:

    @Topdoginuk Thanks a lot TopDoginuk, It is so cool to have someone like yourself watch and support my lessons. I will see you in the forums at the site. Cheers!! Carl..

  4. trilegdog says:

    good lesson

  5. Jambo363636 says:

    Sooooo helpfull…..THANK YOU!!

  6. loveguitars says:

    5 Stars

  7. FlyingVification says:

    Hey Carl,
    what’s up?
    We miss your great lessons:)

  8. GuitarLessons365 says:

    @FlyingVification Hey thanks for the message. I have been working on a bunch of stuff to make the website better behind the scenes for a couple of weeks and it has been taking all of my time. I am almost done. I hope to start posting a bunch of lessons again this week. :)

  9. 43soundz says:

    Hello, Carl thank you for this lesson, why don’t these scales sound at all Jazzy? The minor pentatonic sounds very bluesy in all 7 positions, when you add certain notes to to them are there some notes that should be added to these scales to make them sound Jazzy?

    Thanks

  10. Demon19233 says:

    this is the most helpful video on youtube for this scale. straight to the point, no lame explainations, and no wasting time. thank you

  11. danlovesnan says:

    hello,
    how can I use these scales? I mean: if I am playing a G7 (dominant) do I use the minor melodic scale of C starting from G? As I do with the major scale? what If I am playing a Dmaj7? For me this is a new scale and cannot quite understand how to use this sound…

  12. CityVilleCheatGuide says:

    Thanks for the video

  13. manuorchestra says:

    @danlovesnan The modes of this scales are very interesting over Dominant chords : Vth mode gives you a Myxolydian tone w/ a b6 : C melodic minor over a G7(b13) ; IVth mode is called Lydian Dominant (D melodic minor over a G7(#11) sounds great : Larry Carlton-ish sound .
    And the altered scale for Dominant chords with b9 or #9, b5 or #5 (play the minor scale 1/2 tone up the chord : over G7(#9) play G# melodic minor).
    There’s a book from Don Mock “melodic minor revealed”.
    Hope it helps !

  14. goncalocard says:

    Carl all these shapes are in the key of G right?

  15. macman8680 says:

    @manuorchestra Nice but simplified further by calling these chords alterd 5ths NOT 11 & 13ths (due to unlikely to be using the perfect 5th in the chord):
    C melodic minor over G7#5 is Myxolydian tone w/ a b6.
    D melodic minor over a G7b5 is Lydian Dominant.
    Also for the altered 5th dominant chord you can use the whole-tone and either the Altered scale or Diminished scale.

  16. rawzone1 says:

    less say’in more play’in…

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